\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n

\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

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Illustrations Art Gallery

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President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n

\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n

\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n
\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n
\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Source: Wikipedia<\/p>\n\n\n

\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n
\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n
\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Source: Wkipedia<\/p>\n\n\n

\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n
\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n
\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Source: Wikipedia<\/p>\n\n\n

\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if \"borrowing\" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to \"optical truth\" and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro<\/a>, although with a less vibrant palette.<\/p>\n\n\n\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

With regard to the composition and painting style of his works, Caillebotte may be considered part of the first movement after Impressionism: Neo-Impressionism. The second period of Pointillism, whose main representative was Georges Seurat, announced its influence in the late works that Caillebotte painted at his country house in Petit Gennevilliers.
Caillebotte's style belongs to the School of Realism but was strongly influenced by his Impressionist associates. In common with his precursors Jean-Fran\u00e7ois Millet and Gustave Courbet, as well his contemporary Degas, Caillebotte aimed to paint reality as it existed and as he saw it, hoping to reduce the inherent theatricality of painting.<\/p>\n\n\n\n

Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if \"borrowing\" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to \"optical truth\" and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro<\/a>, although with a less vibrant palette.<\/p>\n\n\n\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

For many years and in part because he never had to sell his work to support himself, Caillebotte's reputation as a painter was overshadowed by his recognition as a supporter of the arts. Seventy years after his death, however, art historians began reevaluating his artistic contributions. His striking use of varying perspective is particularly admirable and sets him apart from his peers who may have otherwise surpassed him. His art was largely forgotten until the 1950s when his descendants began to sell the family collection.<\/p>\n\n\n\n

With regard to the composition and painting style of his works, Caillebotte may be considered part of the first movement after Impressionism: Neo-Impressionism. The second period of Pointillism, whose main representative was Georges Seurat, announced its influence in the late works that Caillebotte painted at his country house in Petit Gennevilliers.
Caillebotte's style belongs to the School of Realism but was strongly influenced by his Impressionist associates. In common with his precursors Jean-Fran\u00e7ois Millet and Gustave Courbet, as well his contemporary Degas, Caillebotte aimed to paint reality as it existed and as he saw it, hoping to reduce the inherent theatricality of painting.<\/p>\n\n\n\n

Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if \"borrowing\" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to \"optical truth\" and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro<\/a>, although with a less vibrant palette.<\/p>\n\n\n\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n

Gustave Caillebotte<\/strong> (French, 19 August 1848 \u2013 21 February 1894) was a French painter, member and patron of the artists known as Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an art form.<\/p>\n\n\n\n

For many years and in part because he never had to sell his work to support himself, Caillebotte's reputation as a painter was overshadowed by his recognition as a supporter of the arts. Seventy years after his death, however, art historians began reevaluating his artistic contributions. His striking use of varying perspective is particularly admirable and sets him apart from his peers who may have otherwise surpassed him. His art was largely forgotten until the 1950s when his descendants began to sell the family collection.<\/p>\n\n\n\n

With regard to the composition and painting style of his works, Caillebotte may be considered part of the first movement after Impressionism: Neo-Impressionism. The second period of Pointillism, whose main representative was Georges Seurat, announced its influence in the late works that Caillebotte painted at his country house in Petit Gennevilliers.
Caillebotte's style belongs to the School of Realism but was strongly influenced by his Impressionist associates. In common with his precursors Jean-Fran\u00e7ois Millet and Gustave Courbet, as well his contemporary Degas, Caillebotte aimed to paint reality as it existed and as he saw it, hoping to reduce the inherent theatricality of painting.<\/p>\n\n\n\n

Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if \"borrowing\" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to \"optical truth\" and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro<\/a>, although with a less vibrant palette.<\/p>\n\n\n\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

\n
\"Gustave
Gustave Caillebotte<\/figcaption><\/figure><\/div>\n\n\n\n

Gustave Caillebotte<\/strong> (French, 19 August 1848 \u2013 21 February 1894) was a French painter, member and patron of the artists known as Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an art form.<\/p>\n\n\n\n

For many years and in part because he never had to sell his work to support himself, Caillebotte's reputation as a painter was overshadowed by his recognition as a supporter of the arts. Seventy years after his death, however, art historians began reevaluating his artistic contributions. His striking use of varying perspective is particularly admirable and sets him apart from his peers who may have otherwise surpassed him. His art was largely forgotten until the 1950s when his descendants began to sell the family collection.<\/p>\n\n\n\n

With regard to the composition and painting style of his works, Caillebotte may be considered part of the first movement after Impressionism: Neo-Impressionism. The second period of Pointillism, whose main representative was Georges Seurat, announced its influence in the late works that Caillebotte painted at his country house in Petit Gennevilliers.
Caillebotte's style belongs to the School of Realism but was strongly influenced by his Impressionist associates. In common with his precursors Jean-Fran\u00e7ois Millet and Gustave Courbet, as well his contemporary Degas, Caillebotte aimed to paint reality as it existed and as he saw it, hoping to reduce the inherent theatricality of painting.<\/p>\n\n\n\n

Perhaps because of his close relationship with so many of his peers, his style and technique vary considerably among his works, as if \"borrowing\" and experimenting, but not really sticking to any one style. At times, he seems very much in the Degas camp of rich-colored realism (especially his interior scenes); at other times, he shares the Impressionist commitment to \"optical truth\" and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro<\/a>, although with a less vibrant palette.<\/p>\n\n\n\n

In 1964, The Art Institute of Chicago<\/a> acquired Paris Street; Rainy Day<\/em>, spurring American interest in him. By the 1970s, his works were being exhibited again and critically reassessed.<\/p>\n\n\n\n

The National Gallery of Art<\/a> (Washington, D.C.) and the Kimbell Art Museum (Fort Worth, Texas) organized a major retrospective display of Caillebotte's painting for exhibition in 2015\u20132016, to pursue further the rediscovery of his work.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=79 load_more=click load_more_limit=15]\n","post_title":"Gustave Caillebotte Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"gustave-caillebotte-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:01","post_modified_gmt":"2020-12-31 07:38:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52669","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52664,"post_author":"3","post_date":"2020-06-10 02:52:20","post_date_gmt":"2020-06-10 09:52:20","post_content":"\n

\"Ferdinand
Ferdinand Hodler Self-Portrait<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Ferdinand Hodler<\/strong> (March 14, 1853 \u2013 May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called \"parallelism\".<\/p>\n\n\n\n

In his time, Hodler's mural-sized paintings of patriotic themes were especially admired. According to Sepp Kern, Hodler \"helped revitalize the art of monumental wall painting, and his work is regarded as embodying the Swiss federal identity.\"<\/p>\n\n\n\n

Hodler developed a style he called \"parallelism\" that emphasized the symmetry and rhythm he believed formed the basis of human society. In paintings such as The Chosen One (1893), groupings of figures are symmetrically arranged in poses suggestive of ritual or dance. Hodler conceived of woman as the embodiment of the desire for harmony with nature, while a child or youth represented innocence and vitality. In Eurythmy (1895), the theme of death is represented by a row of five men in ceremonial robes walking in an ordered procession on a path strewn with fallen leaves.<\/p>\n\n\n\n

Many of Hodler's best-known paintings are scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzf\u00e4ller<\/em>, 1910, Mus\u00e9e d'Orsay<\/a>, Paris). In 1908, the Swiss National Bank commissioned Hodler to create two designs for new paper currency. His designs were controversial: rather than portraits of famous men, Hodler chose to depict a woodcutter (for the 50 Swiss Franc bank note) and a reaper (for the 100 Franc note). Both appeared in the 1911 Series Two of the notes.<\/p>\n\n\n\n

Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musee d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago<\/a>.<\/p>\n\n\n\n

Source: Wkipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=69 load_more=click load_more_limit=15]\n","post_title":"Ferdinand Hodler Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"ferdinand-hodler-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:38:57","post_modified_gmt":"2020-12-31 07:38:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52664","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52656,"post_author":"3","post_date":"2020-06-10 02:43:46","post_date_gmt":"2020-06-10 09:43:46","post_content":"\n

\"Morisot
Berthe Morisot<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Berthe Marie Pauline Morisot<\/strong> (French:<\/small>January 14, 1841 \u2013 March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of \"les trois grandes dames\" of Impressionism alongside Marie Bracquemond and Mary Cassatt.<\/p>\n\n\n\n

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Acad\u00e9mie des beaux-arts in Paris.<\/p>\n\n\n\n

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the \"rejected\"<\/em> Impressionists in the first of their own exhibitions, which included Paul C\u00e9zanne<\/a>, Edgar Degas, Claude Monet<\/a>, Camille Pissarro<\/a>, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.<\/p>\n\n\n\n

Being a female artist, Morisot's paintings were often labeled as being full of \"feminine charm\" by male critics, for their elegance and lightness. In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: \"I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they.\"<\/p>\n\n\n\n

Her light brushstrokes often led to critics using the verb \"effleurer\" (to touch lightly, brush against) to describe her technique. In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation. Around 1880 she began painting on unprimed canvases\u2014a technique Manet and Eva Gonzal\u00e8s also experimented with at the time\u2014and her brushwork became looser.<\/p>\n\n\n\n

In 1888\u201389, her brushstrokes transitioned from short, rapid strokes to long, sinuous ones that define form. The outer edges of her paintings were often left unfinished, allowing the canvas to show through and increasing the sense of spontaneity. After 1885, she worked mostly from preliminary drawings before beginning her oil paintings. She also worked in oil paint, watercolors, and pastel simultaneously, and sketched using various drawing media. Morisot's works are almost always small in scale.<\/p>\n\n\n\n

Morisot creates a sense of space and depth through the use of color. Although her color palette was somewhat limited, her fellow impressionists regarded her as a \"virtuoso colorist\".[20] She typically made expansive use of white to create a sense of transparency, whether used as a pure white or mixed with other colors. In her large painting, The Cherry Tree, colors are more vivid but are still used to emphasize form.<\/p>\n\n\n\n

Inspired by Manet's drawings, she kept the use of color to the minimum when constructing a motif. Responding to the experiments conducted by Manet and Edgar Degas, Morisot used barely tinted whites to harmonize the paintings. Like Degas, she played with three media simultaneously in one painting: watercolor, pastel, and oil paints. In the second half of her career, she learned from Renoir by mimicking his motifs.[17] She also shared an interest in keeping a balance between the density of figures and the atmospheric traits of light with Renoir in her later works.<\/p>\n\n\n\n

Source: Wikipedia<\/p>\n\n\n\n[justified_image_grid ng_gallery=17 load_more=click load_more_limit=15]\n","post_title":"Berthe Morisot Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"berthe-morisot-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:08","post_modified_gmt":"2020-12-31 07:39:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52656","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52652,"post_author":"3","post_date":"2020-06-10 02:39:23","post_date_gmt":"2020-06-10 09:39:23","post_content":"\n

\"Rockwell
Rockwell Kent<\/figcaption><\/figure><\/div>\n\n\n\n

Rockwell Kent<\/strong> was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s he moved to an Adirondack farmstead that he called Asgaard<\/em> where he lived and painted until his death.<\/p>\n\n\n\n

When Kent died of a heart attack in 1971, The New York Times<\/em> described him as \"... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States. \"Retrospectives of the artist's paintings and drawings have been mounted, most recently by The Rooms in St. John's, Newfoundland, where the exhibition Pointed North: Rockwell Kent in Newfoundland and Labrador<\/em> was curated by Caroline Stone in the summer of 2014.<\/p>\n\n\n\n

Other exhibitions include the Richard F. Brush Art Gallery and Owen D. Young Library at St. Lawrence University (Canton, New York) in the autumn of 2012; the Farnsworth Art Museum (Rockland, Maine) during the spring through autumn of 2012; the Bennington Museum in Vermont during the summer of 2012; and the Philadelphia Museum of Art<\/a> in the spring through summer of 2012.<\/p>\n\n\n\n

An exhibition marking the centennial of Kent's time in Winona, Minnesota, took place there in 2013. Kent's pen-and-ink drawings from Moby Dick<\/em> appear on a U.S. postage stamp issued as part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish<\/a>, Frederic Remington, and Norman Rockwell.<\/p>\n\n\n\n[justified_image_grid ng_gallery=155 load_more=click load_more_limit=15]\n","post_title":"Rockwell Kent Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"rockwell-kent-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:22","post_modified_gmt":"2020-12-31 07:39:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52652","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52646,"post_author":"3","post_date":"2020-06-10 02:30:18","post_date_gmt":"2020-06-10 09:30:18","post_content":"\n

Andr\u00e9 Brasilier<\/strong> is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings.<\/p>\n\n\n\n

Brasilier\u2019s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints, with his paintings often featuring pastoral scenes, musical instruments, the sea, women, and horses.<\/p>\n\n\n\n

Born on October 29, 1929 in Saumur, France to an artistic family where both of his parents were painters, Brasilier attended the \u00c9cole des Beaux-Arts at the age of 20. He has had major retrospectives at both the State Hermitage Museum<\/a> in St. Petersburg and the Museum Haus Ludwig f\u00fcr Kunstausstellungen Saarlois in Germany. Brasilier continues to live in Paris, France.<\/p>\n\n\n\n[justified_image_grid ng_gallery=7 load_more=click load_more_limit=15]\n","post_title":"Andr\u00e9 Brasilier Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"andre-brasilier-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:39:39","post_modified_gmt":"2020-12-31 07:39:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52646","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":52640,"post_author":"3","post_date":"2020-06-10 02:22:19","post_date_gmt":"2020-06-10 09:22:19","post_content":"\n

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter.<\/p>\n\n\n\n

As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, now the Episcopal School of Texas, graduating in 1900. His grandfather Henry Onderdonk was the Headmaster of Saint James School in Maryland, from which Julian's father Robert graduated.<\/p>\n\n\n\n

At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock Hills Summer School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son.<\/p>\n\n\n\n

Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio.<\/p>\n\n\n\n

President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art<\/a> has several rooms dedicated exclusively to Onderdonk's work.<\/p>\n\n\n\n

His art studio currently resides on the grounds of the Witte Museum.<\/p>\n\n\n\n[justified_image_grid ng_gallery=92 load_more=click load_more_limit=15]\n","post_title":"Julian Onderdonk Paintings","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"closed","post_password":"","post_name":"julian-onderdonk-paintings","to_ping":"","pinged":"","post_modified":"2020-12-30 23:35:36","post_modified_gmt":"2020-12-31 07:35:36","post_content_filtered":"","post_parent":0,"guid":"http:\/\/new.nocloo.com\/?p=52640","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":3},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_3"};

Illustrations Art Gallery

Virtual Museum
Caillebotte [1874 1878] Harvest, Landscape with Five Haystacks, Private collection, oil on canvas

Gustave Caillebotte Paintings

Gustave Caillebotte Gustave Caillebotte (French, 19 August 1848 – 21 February 1894) was a French painter, member and patron of the artists known as Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was noted for his early interest in photography as an

Ferdinand Hodler Lake Thun Landscape

Ferdinand Hodler Paintings

Ferdinand Hodler Self-Portrait Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism he called "parallelism". In his time,

Berthe Morisot [1874] Harbor in the Port of Fecamp

Berthe Morisot Paintings

Berthe Morisot Berthe Marie Pauline Morisot (French:January 14, 1841 – March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of "les trois grandes dames" of Impressionism alongside

Rockwell Kent Adirondack Landscape

Rockwell Kent Paintings

Rockwell Kent Rockwell Kent was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. In his mid-40s

Andre Braslier Fantasy, 1986

André Brasilier Paintings

André Brasilier is a French painter and printmaker whose work is typified by a breezy lyricism, wherein real-life subjects are transposed into dreamlike settings. Brasilier’s images portray a peaceful world, with delicate compositional and color harmonies bathed in soft, cool light. He takes significant aesthetic and philosophical inspiration from Japanese prints,

Onderdonk Bluebonnet Scene

Julian Onderdonk Paintings

Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter. As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who

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Illustrations Art Gallery

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